We're in a situation now where we're dealing either with very small budgets made by emerging filmmakers, with a program such as The Lens, or very high-budget one-offs or a small-series situation, some of which is done in-house, such as Canada: A People's History or Hockey: A People's History, and that kind of thing.
Actuellement, nous avons des productions à très petit budget tournées par des cinéastes émergents, par exemple l’émission The Lens, ou des productions uniques ou des miniséries à gros budget, parfois internes, comme Canada: A People’s History ou Hockey: A People’s History, et ce genre de choses.